The members of Darlingside met at Williams College in western Massachusetts. 鈥�Auyon and I were paired as freshman year roommates,鈥� Dave recalls. 鈥�We fought often, but we spent so much time together that we very quickly became like brothers.鈥� They joined a singing group with Don, and Harris joined the same group two years later.From there, the four bonded over a shared interest in songwriting, despite a diversity of musical backgrounds and performance styles including chamber music, choral singing, Celtic session playing, and street busking. As soon as Harris, the youngest, graduated, the friends moved into a house on the Connecticut River in Hadley, MA. 鈥�We had 鈥榝amily dinners鈥� almost every night,鈥� says Dave, 鈥�rotating cooking for one another, and we spent a lot of our free time out on a dilapidated houseboat that we called the 鈥楽hack Raft.鈥欌赌�
On Birds Say, the quartet鈥檚 wide-open arrangements are marked by the skillful vocal interplay of the four singers. When bassist Dave Senft, guitarist and banjo player Don Mitchell, classical violinist and folk mandolinist Auyon Mukharji, and cellist and guitar picker Harris Paseltiner gather around a single microphone and let their richly-textured voices loose, they splash their melodies with a sunny melancholy that brings their lyrics to vibrant life. Subtle musical shadings take cues from 60s folk, chamber pop, bluegrass, classical music, and modern indie rock, while aching harmonies are complemented by tones from the harmonium, frailing banjo, 12-string electric guitar, Wurlitzer, auto-chord organ, and grand piano. The result is a collection of quietly passionate songs that defy easy categorization.
鈥�We wrote this record thinking about our childhoods, our transition into adulthood together, and the complexities of life that we all have to grapple with now,鈥� Don says. Lyrically and musically, the band will follow a song wherever it takes them. 鈥�We don鈥檛 really think about genre,鈥� Auyon observes. 鈥�We don鈥檛 see any limits except 鈥榥o jazz,鈥� because none of us know how to play it.鈥� And yet the band鈥檚 close harmonies and carefully crafted arrangements do occasionally spill into loose free-form outros, surreal dream spaces, and textural experimentation. 鈥�We started dipping into some psychedelic sounds with Dan,鈥� says Harris, 鈥�re-amping our group vocals through a rotating organ speaker to give them a melting, wavering Doppler effect, or pushing an instrument through an Echoplex tape delay, which can make an acoustic guitar sound like a spaceship taking off.鈥� Amid unexpected soundscapes, the songs remain familiar, looking backward and forward at the same time.
