ÀÏ·ò×Ó´«Ã½

© 2024 | ÀÏ·ò×Ó´«Ã½
Southern Oregon University
1250 Siskiyou Blvd.
Ashland, OR 97520
541.552.6301 | 800.782.6191
Listen | Discover | Engage a service of Southern Oregon University
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
JPR Classics is a place to come for all things classical in the State of ÀÏ·ò×Ó´«Ã½. We'll honor our rich classical heritage while looking to the future, showcasing inspired performances by the next generation of classical musicians. The classics live on JPR!

A Teenage Cellist Celebrates Bob Marley

, who counts and among his idols, is a young man on the move. The British cellist, still a teenager, won the BBC Young ÀÏ·ò×Ó´«Ã½ian of the Year Award in 2016; he's just released his major label debut, featuring his rendition of Bob Marley's "No Woman, No Cry," which has been quietly racking up views and hits. And now he's set to perform at the royal wedding between Prince Harry, the sixth in line to the British throne, and American actress Meghan Markle.

ÀÏ·ò×Ó´«Ã½ flows deep in Kanneh-Mason's family. He has , all of whom are musicians. They wowed the audience at in 2015 with a mashup of classical and popular numbers.

Kanneh-Mason's new album, Inspiration, is also a mix of chestnuts and pop. Along with Marley's "No Woman" and Saint-Saens' "The Swan," there's an arrangement of Leonard Cohen's ubiquitous "Hallelujah." But the centerpiece of the album is his performance of the demanding Cello Concerto No. 1 by Dmitri Shostakovich, the very piece that earned Kanneh-Mason the BBC award. A reviewer in the London Times noted, in a subsequent performance, that the young cellist offered "urgency and bite" and "impeccable technique."

Kanneh-Mason began cello lessons at age six and went on to enroll in the junior program at London's Royal Academy of ÀÏ·ò×Ó´«Ã½, where he now studies full time in the degree program. He and his siblings have also been active in , a British orchestra that provides opportunities to young minority musicians.

"If you're a young, black child going to a classical concert you don't see anyone who looks like you in the orchestra," Kanneh-Mason . While the young cellist says race has never been a problem for him, he realizes diversity in the orchestra is a difficult thing to change. "ÀÏ·ò×Ó´«Ã½ isn't given enough time and money in the state schools," he noted. Still, he hopes his success will "inspire others from similar backgrounds to see this journey as something they could also do."

Copyright 2020 NPR. To see more, visit https://www.npr.org.

Tom Huizenga
Tom Huizenga is a producer for NPR ÀÏ·ò×Ó´«Ã½. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR ÀÏ·ò×Ó´«Ã½ podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.